Undiscovered for 2,000 years, it survived revolution, invasion and war. Now destruction looms again: this is the story of Saving Mes Aynak.
Director/producer Brent Huffman, a documentary maker and film professor at Northwestern University, has been independently shooting at the Mes Aynak site in Afghanistan since 2011, and has now brought the documentary to Kartemquin Films.
“As the premiere destination for complex social issue films that intend on making a global impact, Kartemquin is the dream home for Saving Mes Aynak,” said Huffman, who hopes to finish editing and premiere the film by the end of 2014.
In 2007, the Afghanistan government granted copper mining rights at Mes Aynak to the Chinese state-owned China Metallurgical Group Corporation (M.C.C.). Situated in volatile Logar Province, where the Taliban holds considerable power, Mes Aynak is home to one of the world’s largest untapped copper deposits — worth more than $100 billion. Yet the site also houses the astonishing remains of an ancient Buddhist city, which archaeologists are now racing to save. Excavations began in 2009 and have uncovered golden Buddhist statues, dozens of stupas and fragile Buddhist manuscripts buried within temples. Yet perhaps 90 percent of the site remains underground and unseen. To finish the job could take decades. But it is very likely the total destruction of the site for mining will begin later this year, in a tragedy that echoes the notorious destruction of the Buddhas at Bamiyan in 2001. In addition, there is the real danger than the mining will devastate the environment by polluting the land and water supply in Logar province.
“The international team of archaeologists have been racing against time, but they’re only able to save a small fraction of Mes Aynak’s smaller antiquities,” Huffman says. “Its loss is an international tragedy. Being there is like touching history.”
Saving Mes Aynak was one of just 18 documentaries to receive grant funding from the John T. and Catherine D. MacArthur Foundation this year (Kartemquin's In The Game and The Schools Project were also funded in the same round). Other funding has come from smaller grants and a successful Kickstarter campaign.
“We are delighted to bring Brent and his film to Kartemquin,” said Justine Nagan, Kartemquin’s Executive Director. “Its memorable characters and unique narrative has enormous potential to raise awareness around this important issue. Brent has already built a massive online community around Saving Mes Aynak; we aim to help him deliver a film that will galvanize action and bring attention to this unusual problem in war-torn Afghanistan.”
Zak Piper (The Interrupters, Life Itself) has joined the project as Producer, and Kartemquin staffer Matt Lauterbach has signed on as Co-Editor and Post-Production Manager. Julia Reichert (The Lion in the House), Gordon Quinn (Kartemquin Founder & Artistic Director) and Justine Nagan also serve as executive producers.